Gossip is idle talk or rumour, especially about the personal or private affairs of others. It is one of the oldest and most common means of sharing facts and views, but also has a reputation for the introduction of errors and variations into the information transmitted. The term can also imply that the news is of personal or trivial nature, as opposed to normal conversation.

In the last decade, gossip has been researched in terms of its evolutionary psychology origins. This has found gossip to be an important means by which people can monitor cooperative reputations and so maintain widespread indirect reciprocity. Indirect reciprocity is defined here as "I help you and somebody else helps me." Gossip has also been identified by Robin Dunbar, an evolutionary biologist, as aiding social bonding in large groups. With the advent of the internet gossip is now widespread on an instant basis, from one place in the world to another what used to take a long time to filter through is now instant.

The term is sometimes used to specifically refer to the spreading of dirt and misinformation, as (for example) through excited discussion of scandals. Some newspapers carry "gossip columns" which detail the social and personal lives of celebrities or of élite members of certain communities.

Etymology

The word is from Old English ''godsibb'', from ''god'' and ''sibb'', the term for godparents, i.e. a child's godfather or godmother. In the 16th century, the word assumed the meaning of a person, mostly a woman, one who delights in idle talk, a newsmonger, a tattler. In the early 19th century, the term was extended from the talker to the conversation of such persons. The verb ''to gossip'', meaning "to be a gossip", first appears in Shakespeare.

The term originates from the bedroom at the time of childbirth. Giving birth used to be a social (ladies only) event, in which a pregnant woman's female relatives and neighbours would gather. As with any social gathering there was chattering and this is where the term gossip came to mean talk of others.

Functions

Gossip can:

reinforce - or punish the lack of - morality and accountability;

reveal passive aggression, isolating and harming others;

serve as a process of social grooming, building a sense of community with shared interests, information, and values;

begin a courtship that helps one find their desired mate, by counseling others; or,

provide a peer-to-peer mechanism for disseminating information in organizations.

Workplace gossip

Mary Gormandy White, a human resource expert, identifies workplace gossip by factors or "signs":

Animated people become silent ("Conversations stop when you enter the room")

People begin staring at someone

Workers indulge in inappropriate topics of conversation. She suggests "five tips ... [to] handle the situation with aplomb: # Rise above the gossip # Understand what causes or fuels the gossip # Do not participate in workplace gossip # Allow for the gossip to go away on its own # If it persists, "gather facts and seek help."

Peter Vajda identifies gossip as a form of workplace violence, noting that it is "essentially a form of attack." Gossip is thought by many to "empower one person while disempowering another" (Hafen). Accordingly, many companies have formal policies in their employee handbooks against gossip. Sometimes there is room for disagreement on exactly what constitutes unacceptable gossip, since workplace gossip may take the form of offhand remarks about someone's tendencies such as "He always takes a long lunch," or "Don’t worry, that’s just how she is." TLK Healthcare cites as examples of gossip, "tattletailing to the boss without intention of furthering a solution or speaking to co-workers about something someone else has done to upset us." Corporate email can be a particularly dangerous method of gossip delivery, as the medium is semi-permanent and messages are easily forwarded to unintended recipients; accordingly, a Mass High Tech article advised employers to instruct employees against using company email networks for gossip. Low self-esteem and a desire to "fit in" are frequently cited as motivations for workplace gossip. There are five essential functions that gossip has in the workplace (according to DiFonzo & Bordia):

Helps individuals learn social information about other individuals in the organization (often without even having to meet the other individual)

Builds social networks of individuals by bonding co-workers together and affiliating people with each other.

Breaks existing bonds by ostracizing individuals within an organization.

Enhances one's social status/power/prestige within the organization.

Inform individuals as to what is considered socially acceptable behavior within the organization.

According to Kurkland and Pelled, workplace gossip can be very serious depending upon the amount of power that the gossiper has over the recipient, which will in turn affect how the gossip is interpreted. There are four types of power that are influenced by gossip:

Coercive: when a gossiper tells negative information about a person, their recipient might believe that the gossiper will also spread negative information about them. This causes the gossipers coercive power to increase.

Reward: when a gossiper tells positive information about a person, their recipient might believe that the gossiper will also spread positive information about them. This causes the gossipers reward power to increase.

Expert: when a gossiper seems to have very detailed knowledge of either the organization's values or about others in the work environment, their expert power becomes enhanced.

Referent: this power can either be reduced OR enhanced to a point. When people view gossiping as a petty activity done to waste time, a gossipers referent power can decrease along with their reputation. When a recipient is thought of as being invited into a social circle by being a recipient, the gossipers referent power can increase, but only to a high point where then the recipient begins to resent the gossiper (Kurland & Pelled).

Some negative consequences of workplace gossip may include:

Lost productivity and wasted time,

Erosion of trust and morale,

Increased anxiety among employees as rumors circulate without any clear information as to what is fact and what isn’t,

Growing divisiveness among employees as people “take sides,"

Hurt feelings and reputations,

Jeopardized chances for the gossipers' advancement as they are perceived as unprofessional, and

Attrition as good employees leave the company due to the unhealthy work atmosphere.

Turner and Weed theorize that among the three main types of responders to workplace conflict are attackers who cannot keep their feelings to themselves and express their feelings by attacking whatever they can. Attackers are further divided into up-front attackers and behind-the-back attackers. Turner and Weed note that the latter "are difficult to handle because the target person is not sure of the source of any criticism, nor even always sure that there is criticism."

It is possible however, that there may be illegal, unethical, or disobedient behavior happening at the workplace and this may be a case where reporting the behavior may be viewed as gossip. It is then left up to the authority in charge to fully investigate the matter and not simply look past the report and assume it to be workplace gossip.

Informal networks through which communication occurs in an organization are sometimes called the grapevine. In a study done by Harcourt, Richerson, and Wattier, it was found that middle managers in several different organizations believed that gathering information from the grapevine was a much better way of learning information than through formal communication with their subordinates (Harcourt, Richerson & Wattier).

Various views

Some see gossip as trivial, hurtful and socially and/or intellectually unproductive.

Some people view gossip as a lighthearted way of spreading information.

A feminist definition of gossip presents it as "a way of talking between women, intimate in style, personal and domestic in scope and setting, a female cultural event which springs from and perpetuates the restrictions of the female role, but also gives the comfort of validation." (Jones, 1990:243)

In early modern England

In Early Modern England the word "gossip" referred to companions in childbirth, not limited to the midwife. It also became a term for women-friends generally, with no necessary derogatory connotations. (OED n. definition 2. a. "A familiar acquaintance, friend, chum", supported by references from 1361 to 1873). It commonly referred to an informal local sorority or social group, who could enforce socially-acceptable behaviour through private censure or through public rituals, such as "rough music", the cucking stool and the skimmington ride.

In Thomas Harman’s ''Caveat for Common Cursitors'' 1566 a ‘walking mort’ relates how she was forced to agree to meet a man in his barn, but informed his wife. The wife arrived with her “five furious, sturdy, muffled gossips” who catch the errant husband with “his hosen about his legs” and give him a sound beating. The story clearly functions as a morality tale in which the gossips uphold the social order.

In Sir Herbert Maxwell,Bart's The Chevalier of the Splendid Crest [1900] at the end of chapter 3 the king is noted as referring to his loyal knight "Sir Thomas de Roos" in kindly terms as "my old gossip". Whilst a historical novel of that time the reference implies a continued use of the term "Gossip" as childhood friend as late as 1900.

In Judaism

Judaism considers gossip spoken without a constructive purpose (known in Hebrew as ''lashon hara'') as a sin. Speaking negatively about people, even if retelling true facts, counts as sinful, as it demeans the dignity of man — both the speaker and the subject of the gossip.

According to ''Proverbs'' 18:8: "The words of a gossip are like choice morsels: they go down to a man's innermost parts."

In Islam

Islam considers backbiting the equivalent of eating the flesh of one's dead brother. According to Muslims, backbiting harms its victims without offering them any chance of defense, just as dead people cannot defend against their flesh being eaten. Muslims are expected to treat each other like brothers, deriving from Islam's concept of brotherhood amongst its believers.

In Christianity

The Epistle to the Romans associates gossips ("backbiters") with a list of sins including sexual immorality and with murder:

:28: And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient; :29: Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers, :30: Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents, :31: Without understanding, covenantbreakers, without natural affection, implacable, unmerciful: :32: Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them. (Romans 1:28-32)

According to Matthew 18, Jesus also taught that conflict resolution among church members ought to begin with the aggrieved party attempting to resolve their dispute with the offending party alone. Only if this did not work would the process escalate to the next step, in which another church member would become involved. After that if the person at fault still would not "hear", the matter was to be fully investigated by the church elders, but not exposed publicly.

In order to gossip, writes Phil Fox Rose, we "must harden our heart towards the 'out' person. We draw a line between ourselves and them; define them as being outside the rules of Christian charity... We create a gap between ourselves and God's Love." As we harden our heart towards more people and groups, he continues, "this negativity and feeling of separateness will grow and permeate our world, and we'll find it more difficult to access God’s love in any aspect of our lives."

But, it should be recognized that the Bible is both in favor of Group Accountability ( Ephesians 5:11; 1st Tim 5:20; James 5:16; Gal 6:1-2; 1 Cor 12:26) as well as against Gossip (Proverbs 18:8; Romans 1:29; 2 Cor 12:20; 1 Tim 5:13; 3 John 1:10).

See also

False dilemma

Gossip magazines

Libel

Misinformation

Rumor

Scandal

Word of mouth

Yenta

References

Further reading

Niko Besnier, 2009: ''Gossip and the Everyday Production of Politics''. Honolulu: University of Hawai'i Press. ISBN 978-0-8248-3338-1

Niko Besnier, 1996: Gossip. In ''Encyclopedia of Cultural Anthropology''. David Levinson and Melvin Ember, eds. Vol. 2, pp. 544–547. New York: Henry Holt.

Niko Besnier, 1994: The Truth and Other Irrelevant Aspects of Nukulaelae Gossip. Pacific Studies 17(3):1-39.

Niko Besnier, 1989: Information Withholding as a Manipulative and Collusive Strategy in Nukulaelae Gossip. Language in Society 18:315-341.

Robert F. Goodman and Aaron Ben-Zeev, editors: ''Good Gossip''. Lawrence, Kansas: University Press of Kansas, 1993. ISBN 0-7006-0669-6

Deborah Jones, 1990: 'Gossip: notes on women's oral culture'. In: Cameron, Deborah. (editor) ''The Feminist Critique of Language: A Reader''. London/New York: Routledge, 1990, pp. 242–250. ISBN 0-415-04259-3. Cited online in Rash, 1996.

Felicity Rash, 1996: "''Rauhe Männer - Zarte Frauen'': Linguistic and Stylistic Aspects of Gender Stereotyping in German Advertising Texts 1949-1959" in ''The Web Journal of Modern Language Linguistics'', Issue 1, 1996. Retrieved from http://wjmll.ncl.ac.uk/issue01/rashb.rtf on 2006-08-11

Patricia Ann Meyer Spacks. ''Gossip''. New York: Knopf, 1985. ISBN 0-394-54024-7

DiFonzo, Nicholas & Prashant Bordia. "Rumor, Gossip, & Urban Legend." ''Diogenes'' Vol. 54 (Feb 2007) pg 19-35

Hafen, Susan. "Organizational Gossip: A Revolving Door of Regulation & Resistance." ''The Southern Communication Journal'' Vol. 69, No. 3 (Spring 2004) pg 223

Harcourt, Jules, Virginia Richerson, and Mark J Wattier. "A National Study of Middle Managers' Assessment of Organizational Communication Quality." ''Journal of Business Communication'' Vol. 28, No. 4 (Fall 1991) pg 348-365

Kurland, Nancy B. & Lisa Hope Pelled. "Passing the Word: Toward a Model of Gossip & Power in the Workplace." ''The Academy of Management Review'' Vol. 25, No. 2 (April 2000) pg 428-438

External links

Ronald de Sousa (U Toronto) on Gossip

"Go Ahead. Gossip May Be Virtuous" ''New York Times'' article by Patricia Cohen 2002-08-10 (requires registration)

Emrys Westacott (Alfred U) The Ethics of Gossiping

Perspectives on Gossip The theme of gossip in three literary pieces

Robin Dunbar, Coevolution of neocortical size, group size and language in humans ''(pre-publication version)'' "Analysis of a sample of human conversations shows that about 60% of time is spent gossiping about relationships and personal experiences."

Office gossip takes a whole new turn by allowing to post anonymously at workplace using facebook.

Category:Human communication Category:Communication of falsehoods Category:Bullying

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Amanda Brunker (born 12 June 1974 in Dublin, Ireland) is a former Miss Ireland and current journalist/columnist for the Irish ''Sunday World'' newspaper. After attending Mount Temple Comprehensive School she turned to modelling, entering and winning the Miss Ireland competition in 1991 when she was 17 years old. She went on to represent her home nation in the Miss World Competition in Atlanta that same year without success.

Career

She has continued modelling, acted in the film ''Head Rush'', had a cameo role on the former Irish soap ''Glenroe'', been a nightclub hostess and presented her own late night TV show ''The Dinner Party''.

She published her first novel, entitled ''Champagne Kisses'', on June 25, 2008, which was followed in June 2009 by its sequel ''Champagne Babes''. In late May 2008 she appeared on the Irish chat show, The Late Late Show, to promote her then forthcoming debut novel. During the interview she confirmed that she and her partner had become engaged to be married during a holiday in New York, a story that had appeared the previous February in the Irish Independent, and on its linked website. From November 4 to the 8th 2008, she was the guest presenter on RTÉ 2's ''The Podge and Rodge Show'', a show she had previously been a guest on. Currently, she is the Dublin judge and mentor on ''The All Ireland Talent Show''. She lives in Dublin with her husband, whom she married in September 2009 in New York, and their two sons.

References

External links

Amanda's column in the Sunday World.

Category:1974 births Category:Living people Category:Reality television judges Category:Irish journalists Category:Irish female models Category:Miss World 1991 delegates

Coordinates	16°48′″N96°09′″N
Name	Lady Gaga
Alt	Portrait of Lady Gaga
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Birth date	March 28, 1986
Birth place	New York City, New York, U.S.
Instrument	Vocals, piano, keyboards
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	}}

Stefani Joanne Angelina Germanotta (; born March 28, 1986), better known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and by the end of 2007, was signed with Streamline Records. Employed as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album ''The Fame'' (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the Fame Ball Tour, she followed the album with ''The Fame Monster'' (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro" and allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her most recent album ''Born This Way'' (2011) topped the charts of most major markets and generated more international chart-topping singles that include "Born This Way", "Judas", "The Edge of Glory", and "Marry The Night". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is well-recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best-selling worldwide. Her achievements include four ''Guinness World Records'', five Grammy Awards and thirteen MTV Video Music Awards. Lady Gaga has consecutively appeared on ''Billboard'' magazine's Artists of the Year (scoring the definitive title in 2010), is regularly placed on lists composed by ''Forbes'' magazine, and was named one of the most influential people in the world by ''Time'' magazine.

Biography

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York City to parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur. Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children. Her sister, Natali, a fashion student, was born in 1992. Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.

Left-handed Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in ''Guys and Dolls'' and Philia in ''A Funny Thing Happened on the Way to the Forum''. She also appeared in a very small role as a mischievous classmate in the television drama series ''The Sopranos'' in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows. When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After gaining early admission at 17, she eventually lived in an NYU dorm on 11th Street.

CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst. With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer where MTV's ''Boiling Points'', a prank reality television show, was being filmed. Notwithstanding these achievements, she felt that she was more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said. By the second semester of her sophomore year, she withdrew to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.

2005–07: Career beginnings

Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book ''The Portal in the Park'', by Cricket Casey. She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year. The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er". Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis. Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays ''Words'' and ''Red and Blue'' at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a singer and model, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." ''The New York Post'', however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film ''Grease'': "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having already served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls.

While Gaga was writing at Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player." As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album; making the chart-topping singles "Just Dance", "Poker Face" and "LoveGame" together. Gaga also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. She responded, "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."

2008–10: ''The Fame'' and ''The Fame Monster''

By 2008, Gaga had relocated to Los Angeles, where she worked extensively with her record label to complete her debut album in addition to setting up her own creative team – modeled on Andy Warhol's Factory – Haus of Gaga. Intensive work continued on the album, combining genres "from Def Leppard drums and hand claps to metal drums on urban tracks" while drawing inspiration from 1980s synthpop and incorporating dance music with clear hooks. ''The Fame'', described as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, was first released on August 19, 2008, preceded by lead single "Just Dance" four months earlier. Due to radio play being slow, Gaga supported the releases by performing in the backwaters of Malta and Vietnam in addition to small gay clubs around the United States. She was also billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour.

A sleeper hit, "Just Dance" hit the summit of the charts in six countries – Australia, Canada, the Netherlands, Ireland, the United Kingdom, and the United States – in January 2009. The Grammy Award-nominated song provoked the instant success of ''The Fame''. Receiving positive reviews from contemporary critics who commended Gaga's ability to discover a melodious hook and compared her vocal abilities to those of Gwen Stefani, the album went to number-one in countries like the United Kingdom, Canada, Austria, Germany, Switzerland and Ireland while appearing in the top-five in Australia, the United States and fifteen other countries. On ''Billboard'''s Dance/Electronic Albums chart, it stayed at the top spot 106 non-consecutive weeks. Since its release, ''The Fame'' has sold over 12 million copies worldwide. Gaga achieved an even greater unexpected success when "Poker Face", another sleeper hit, reached number-one in almost all major music markets in the world including the United Kingdom and the United States in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year, while ''The Fame'' was nominated for Album of the Year and won the Grammy Award for Best Dance/Electronica Album. Gaga was the recipient of many other honors in 2009 including the accumulation of 3 of 9 MTV Video Music Awards nominations – she won Best New Artist while the video for her single "Paparazzi" gained the awards for Best Art Direction and Best Special Effects – and ''Billboard'' magazine's Rising Star award. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 on their legs in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.

While she traveled the world on tour, she wrote ''The Fame Monster'', a collection of eight songs, which was released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Its first single "Bad Romance" topped the charts in eighteen countries, while reaching the top-two in the United States, Australia and New Zealand. It made Gaga the first artist in digital history to have three singles (along with "Just Dance" and "Poker Face") to pass the four million mark in digital sales and accrued the Grammy Award for Best Female Pop Vocal Performance while its accompanying music video won the Grammy Award for Best Short Form Music Video at the 53rd Grammy Awards The album's second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number-one single while its accompanying music video, although controversial, received a more positive reception from contemporary critics: praising her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. Musically, ''The Fame Monster'' has also received abundant success. Equating to the amount of Grammy nominations her debut received, ''The Fame Monster'' garnered a total of six nominations; the album won for Best Pop Vocal Album and earned her a second-consecutive nomination for Album of the Year at the 53rd annual awards ceremony.

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of ''The Fame Monster'' and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and, according to ''Billboard'', grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled ''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden''. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray.

Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony.

Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage." A realized collaboration with Polaroid started in January 2010. Excited about combining the company with the digital era, Gaga was named Chief Creative Officer for a line of imaging products for the international optic company with the intent of creating fashion, technology and photography products.

Despite a successful debut, Mermaid Music LLC – her production team – was sued in March 2010 by past producer Rob Fusari who claimed that he was entitled to a 20% share of its earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment. Five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga has been tested borderline positive for lupus, but claims not to be affected by the symptoms. The revelations caused considerable dismay amongst her fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.

2011–present: ''Born This Way''

Gaga's second studio album and third major release ''Born This Way'' was released on May 23, 2011. Described as "a marriage of electronic music with major [...] metal or rock 'n' roll, pop, anthemic style melodies with really sledge-hammering dance beats" and referred to as an album "about what what keeps us up at night and what makes us afraid", she stated. Gaga characterized her new music as "something so much deeper than a wig or lipstick or a fucking meat dress" and upon hearing it, Akon remarked that she is taking music to the "next level". Its arrival followed the release of its eponymous lead single "Born This Way" on February 11, 2011, which was performed live for the first time at the 53rd Grammy Awards two days after its release. The song, dealing with self-acceptance regardless of race or sexual orientation, debuted atop the ''Billboard'' Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts, while selling more than 3 million digital copies in the United States by October 2011. A music video was released for the song, showing Gaga giving birth to a new race amidst surrealistic images; critics noted artistic and cultural references and praised its concept. Gaga lent her vocals elsewhere, pairing with Elton John to record an original duet for the animated feature film ''Gnomeo & Juliet''. The song, titled "Hello, Hello", was released on February 11, 2011, without Gaga's vocals. The duet version was only featured in the film.

Two other singles, "Judas" and "The Edge of Glory", as well as a promotional single, "Hair", were eventually released before the album. The music video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references; the video, nonetheless, received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" additionally peaked within the top ten in several major musical markets. "The Edge of Glory" was intended as a promotional single; nevertheless, due to commercial success in digital outlets, the song was released as a single to critical appreciation, accompanied by a music video. Gaga also undertook a job as a fashion columnist for ''V'', where she wrote about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme. Upon release, ''Born This Way'' sold 1.108 million copies in its first week in the United States, debuting atop the ''Billboard'' 200, and topping the charts in more than 20 other countries. The album received generally positive reviews from music critics, who praised its range of different styles as well as her vocals. Later, Lady Gaga went to Sydney to promote ''Born This Way'' with a one-of-a-kind concert at the Sydney Town Hall on July 13, 2011.

She continued her musical endeavors, releasing "You and I" and "Marry the Night" as succeeding singles from ''Born This Way'', as well as recording songs with veteran artists like Cher and Tony Bennett. The song recorded with Bennett is a jazz version of "The Lady Is a Tramp", while Gaga described her duet with Cher as a "massive" and "beautiful" track, which she "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." On August 28, at the 2011 MTV Video Music Awards, Gaga won two awards out of four nominations, and attended the event dressed as Jo Calderone, her male alter-ego. For the 2012 edition of the ''Guinness World Records'', Gaga was listed for Most Followers on Twitter, with over 13 million followers, and "Poker Face" was listed for Most Weeks on US Digital Hot Songs, with 83 weeks. Gaga continued her live appearances, and performed at the celebration of former US president Bill Clinton's 65th Birthday alongside Bono, Stevie Wonder and Usher, among others. She wore a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changed the lyrics to her song "You and I" specifically for the performance. Later on, Gaga won four awards out of six nominations in the main categories at the 2011 MTV Europe Music Awards in November, for Best Female, Biggest Fans, Best Song and Best Video; the latter two with "Born This Way". On November 14, 2011, Gaga and her choreographer and creative director Laurieann Gibson parted ways, after working together for four years. Gibson's assistant Richard Jackson replaced her as Lady Gaga's choreographer.

Gaga released her fourth extended play ''A Very Gaga Holiday'' on November 22, and followed an appearance in her Thanksgiving Day television special entitled ''A Very Gaga Thanksgiving''. The television special was critically acclaimed and attained 5.749 million American viewers upon original airing. The accompanying tour for ''Born This Way'' was materializing, and at the same time Gaga started writing songs for a new record. She further explained to MTV News that she and Garibay were working on the follow-up album to ''Born This Way'' and stated that it was "beginning to flourish".

Artistry

Influences

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Bruce Springsteen, Pink Floyd, Led Zeppelin and Elton John, had significant influence on her childhood and, presently, still do. "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists. "I'm quite traditional in the family sense. I've always been that way." According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art. Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives." Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.

Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. ''Entertainment Weekly'' put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."

Musical and performance style

Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood. Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves. Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers ''Born This Way'' (2011) "much more vocally up to par with what I've always been capable of." In summation of her voice, ''Entertainment Weekly'' wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."

Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while ''The Fame'' (2008) meditates on the lust for stardom, ''The Fame Monster'' (2009) expresses fame's dark side through monster metaphors. ''Born This Way'' (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.

The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album ''The Fame'' (2008) provoked ''The Sunday Times'' to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from ''The Boston Globe'' to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B-ish beats." The follow-up ''The Fame Monster'' (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while ''Born This Way'' (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote ''Rolling Stone'', who concluded: "The more excessive Gaga gets, the more honest she sounds."

Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme in The Monster Ball Tour, in which she wore a revealing leather corset and is "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene on tour in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards when she performed in drag as her male alter ego, Jo Calderone, and delivered a lovesick monologue before a performance of her song "Yoü and I". Chris Rock has defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?"

Public image

While ''Rolling Stone'' named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since the spring of 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga."

Contrary to her outré style, the ''New York Post'' described her early look as like "a refugee from ''Jersey Shore''" with "big black hair, heavy eye makeup and tight, revealing clothes." Lady Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, who she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. Towards the end of 2008, comparisons were made between the fashions of Lady Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Lady Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way."

When interviewed by Barbara Walters for her annual ABC News special ''10 Most Fascinating People'' in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Lady Gaga's video for "Bad Romance". There have also been similar comparisons made between Lady Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier. Nonetheless, Gaga was named one of Vogue.com UK's Best Dressed people of 2010 while her stylist, Dazed & Confused creative director Nicola Formichetti, won the Fashion Creator of the Year Award at the British Fashion Awards.

Part of the reasoning for Gaga's Best Dressed achievement was her attire worn to the 2010 MTV Video Music Awards: a dress supplemented by boots, a purse and a hat – each fabricated from the flesh of a dead animal. The dress, named ''Time'' magazine's Fashion Statement of 2010 and more widely known as the "meat dress", received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. Lady Gaga denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community. In addition to this unconventionality, in a question posed about the necessary procedure to attach the prosthetics to give the appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is. When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.

Gaga often refers to her fans as "Little Monsters" and in dedication, has had that inscription tattooed on "the arm that holds my mic." Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in ''The Sunday Times'' asserts thatGaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for ''The Guardian'', Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."

Philanthropy

Besides her career in music, Gaga has also contributed to various charities and humanitarian works. In 2011, she launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the eponymous 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University.

For natural disasters, Gaga has also helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.

Gaga also contributes in the fight against HIV and AIDS with the focus upon educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.

With the performance of the bilingual song "Americano" from her second studio album ''Born This Way'' (2011), Gaga jumped into the debate surrounding SB 1070, Arizona's immigration law. She premiered the tune for the first time on the Guadalajara, Mexico stop of her Monster Ball tour telling the local press that she could not "stand by many of the unjust immigration laws" in the United States.

LGBT advocacy

Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of ''The Fame'', saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After ''The Fame'' was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with ''Rolling Stone'', she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on ''The Ellen DeGeneres Show'' in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a dress fabricated from the flesh of a dead animal to the awards ceremony. Gaga wished that the dress, more widely known as the "meat dress", was interpreted as a statement of human rights with focus upon those in the LGBT community adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones." She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of ''The Advocate'' commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.

Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

''The Fame'' (2008)

''The Fame Monster'' (2009)

''Born This Way'' (2011)

Filmography

''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden'' (2011)

''A Very Gaga Thanksgiving'' (2011)

Concert tours

The Fame Ball Tour (2009)

Fame Kills: Starring Kanye West and Lady Gaga (2009–10) (canceled)

The Monster Ball Tour (2009–11)

See also

List of awards and nominations received by Lady Gaga

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

Monster Anthems (2011) by Robert Christgau

External links

Slide show ''Vanity Fair''

Category:1986 births Category:American contraltos Category:American dance musicians Category:American electronic musicians Category:American female pop singers Category:American musicians of Italian descent Category:American performance artists Category:American pop singer-songwriters Category:American Roman Catholics Category:Androgyny Category:Bisexual musicians Category:Brit Award winners Category:Echo winners Category:English-language singers Category:Feminist musicians Category:Grammy Award winners Category:Interscope Records artists Category:Keytarists Category:LGBT Christians Category:LGBT musicians from the United States Category:LGBT rights activists from the United States Category:LGBT rights activists Category:Living people Category:People from Manhattan Category:Pseudonymous musicians Category:Singers from New York City Category:Sony/ATV Music Publishing artists Category:Synthpop musicians Category:Tisch School of the Arts alumni Category:Wonky Pop acts

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Coordinates	16°48′″N96°09′″N
name	Matt Lanter
birth name	Matthew Mackendree Lanter
birth date	April 01, 1983
birth place	Massillon, Ohio, U.S.
occupation	Actor
years active	2004–present
homepage	}}

Matthew Mackendree "Matt" Lanter (born April 1, 1983) is an American actor, former reality TV star and model, perhaps best known for his roles in ''Commander in Chief'', ''90210'', ''Star Wars: The Clone Wars'', ''Disaster Movie'', ''Sorority Row'' and ''Vampires Suck''.

Early life and career

Lanter was born in Massillon, Stark County, Ohio, the son of Joseph "Joe" Lanter and Jana Burson. He moved to Atlanta, Georgia in 1991 at age 8 and graduated from Collins Hill High School in 2001. He played baseball, football, basketball, gymnastics and golf and was a batboy for the Atlanta Braves. He attended University of Georgia, majoring in Sports Business. But an interest in the film and television industry created a strong desire to pursue acting instead.

In 2004, Lanter was a contestant on Bravo's reality show ''Manhunt: The Search for America's Most Gorgeous Male Model''. He did not win the series.

Acting career

Within a few weeks of moving to Los Angeles, California, Lanter successfully auditioned for the role of Nick on the Supernatural Teen-Drama Fox series ''Point Pleasant''. He had a major recurring role throughout the series first and only season. He has since then appeared in television shows such as ''Grey's Anatomy'', ''8 Simple Rules'', ''Big Love'' and ''Heroes''.

In April 2005, he signed on to become a series regular portraying the role of Horace Calloway on ABC's Political Drama series ''Commander in Chief'' opposite Geena Davis and Donald Sutherland. The series premiered on September 27, 2005 and had a high series debut but was cancelled on June 14, 2006.

In December 2006, he was announced to play the role of Anakin Skywalker for Warner Bros CGI Animated Science Fiction/Action film ''Star Wars: The Clone Wars''. The film which was released on August 15, 2008 received generally negative reviews from critics. The film had box office success earning worldwide $69,182,844. He was announced to reprise the role of Anakin in a Spin-Off Animated television series ''Star Wars: The Clone Wars'' which premiered on October 3, 2008 on the Cartoon Network. He has also reprised his role in various Video Games based on the franchise. The series third season premiered in October, 2010.

In 2008, he took on the lead role as Zach Conroy in ''The Cutting Edge 3: Chasing the Dream'', with Francia Raisa.

In February 2008, he was announced to portray the central character Will, in Lionsgate's Parody/Comedy film ''Disaster Movie''. The film is written and directed by directing and screenwriting duo Jason Friedberg and Aaron Seltzer who have previously worked on other Parody films such as ''Meet The Spartans'' and ''Epic Movie''. The film spoofs recent disaster films such as Cloverfield. He stars with Kim Kardashian, Vanessa Minnillo and Carmen Electra. The film, which was released on August 29, 2008, was a critical bomb. The film grossed over $34 million worldwide and received extremely negative reviews from critics, as well as six nominations at the 29th Golden Raspberry Awards.

In October 2008, he was announced to star in Summit Entertainment's remake of the cult 1983 Slasher film ''The House on Sorority Row''. The film stars Briana Evigan, Audrina Patridge and Rumer Willis. ''Sorority Row'' was released on September 11, 2009 and received negative reviews.

In 2009, he began a major recurring role on The CW's ''90210'' portraying the role of Liam Court. In September 2009, he was announced as a series regular for the second series. The series is a modern day remake of the '90s Teen Drama series ''Beverly Hills, 90210''. In March 2010, he signed on for another parody project with Jason Friedberg and Aaron Seltzer, 20th Century Fox's ''Vampires Suck''. He played Edward Sullen, a spoof of Edward Cullen from ''The Twilight Saga''. The film was released on August 18, 2010.

In May 2009, it was announced he had signed on for the role of Jason Webber in Screen Gems' horror film ''The Roommate''. Starring with Minka Kelly and Leighton Meester, filming took place in 2009. The film originally was scheduled for an October 2010 release but was pushed forward to September 17, 2010. However, Screen Gems pushed it to February 4, 2011. He has also signed on to voice the role of Sled in ''Tinker Bell: A Winter Story'' which will be released Straight-to-DVD in 2011.

Filmography

''Judy's Got a Gun'' ''The Cutting Edge 3: Chasing the Dream'' ''Sorority Row'' ''Vampires Suck'' ''The Roommate'' ''8 Simple Rules'' ''Commander in Chief (TV series) ''Big Love'' ''CSI: Crime Scene Investigation'' ''Life (NBC TV series) ''Star Wars: The Clone Wars (2008 TV series) ''90210 (TV series)

colspan="4" style="background: LightSteelBlue;"	Film
		! Film	! Role	! Notes
2004	''Bobby Jones: Stroke of Genius''	Bobby Jones' caddy
2007	|	Isaac Prentice	Made-for-television film
rowspan="4"	2008	|	Zack Conroy	Made-for-television film
''WarGames: The Dead Code''	Will Farmer
''Star Wars: The Clone Wars (film)	Star Wars: The Clone Wars''	Anakin Skywalker
''Disaster Movie''	Will
2009	|	Kyle Tyson
2010	|	Edward Cullen>Edward Sullen
rowspan="3"	2011	|	Jason Tanner
''Tinker Bell and the Mysterious Winter Woods''	Sled
''Liars All''	Mike
colspan="4" style="background: LightSteelBlue;">Television
! Year	! Title	! Role	! Notes
2004		Himself	Contestant (7th Runner-up)
rowspan="2"	2005	|	Brendon	Episode: "The After Party"
''Point Pleasant (TV series)	Point Pleasant''	Nick
2005–2006	Commander in Chief'' ||	Horace Calloway	Main cast (Season 1; 18 episodes)
rowspan="3"	2006	|	Gibson	Episode: "Eviction"
''Heroes (TV series)	Heroes''	Brody Mitchum
''Shark (TV series)	Shark''	Eddie Linden
rowspan="3"	2007	|	Ryan Lansco	Episode: "Fallen Idols"
''Monk (TV series)	Monk''	Clay Bridges
''Grey's Anatomy''	Adam Singer
rowspan="2"	2008	Life'' ||	Patrick Bridger	Episode: "Everything... All the Time"
''The Oaks (TV series)	The Oaks''	Mike
2008–present	Star Wars: The Clone Wars'' ||	Anakin Skywalker	Main role (voice only)
2009–present	90210'' ||	Characters of 90210#Liam Court>Liam Court	Recurring cast (Season 1; 8 episodes) Main cast (Season 2–present; 2010–present)

Video games

+List of voice acting credits in video games
! Year	! Title	! Character
2008	''Star Wars: The Clone Wars: Lightsaber Duels''	Anakin Skywalker
2008	''Star Wars: The Clone Wars – Jedi Alliance''	Anakin Skywalker
2009	''Star Wars: The Clone Wars: Republic Heroes''	Anakin Skywalker
2011	''Lego Star Wars III: The Clone Wars''	Anakin Skywalker
2011 / 2012	''Star Wars: The Old Republic''	N/A

References

External links

Category:1983 births Category:Living people Category:Actors from Georgia (U.S. state) Category:Actors from Ohio Category:American child actors Category:American male models Category:American television actors Category:American voice actors Category:People from Atlanta, Georgia Category:People from Massillon, Ohio

ar:مات لانتر de:Matt Lanter es:Matt Lanter fr:Matt Lanter gl:Matt Lanter hr:Matt Lanter id:Matt Lanter it:Matt Lanter he:מאט לנטר ms:Matt Lanter nl:Matt Lanter ja:マット・ランター pl:Matt Lanter pt:Matt Lanter ru:Лантер, Мэтт fi:Matt Lanter sv:Matt Lanter th:แมตต์ แลนเทอร์

African Americans (also referred to as Black Americans or Afro-Americans, and formerly as American Negroes) are citizens or residents of the United States who have origins in any of the black populations of Africa. In the United States, the terms are generally used for Americans with at least partial Sub-Saharan African ancestry. Most African Americans are the direct descendants of captive Africans who survived the slavery era within the boundaries of the present United States, although some are—or are descended from—immigrants from African, Caribbean, Central American or South American nations. As an adjective, the term is usually written as ''African-American''.

African-American history starts in the 17th century with indentured servitude in British America and progresses onto the election of Barack Obama as the 44th and current President of the United States. Between those landmarks there were other events and issues, both resolved and ongoing, that were faced by African Americans. Some of these were slavery, reconstruction, development of the African-American community, participation in the great military conflicts of the United States, racial segregation, and the Civil Rights Movement. African Americans make up the single largest racial minority in the United States and form the second largest racial group after whites in the United States.

History

Slavery era

The first recorded Africans in British North America (including most of the future United States) arrived in 1619 as indentured servants who settled in Jamestown, Virginia. As English settlers died from harsh conditions, more and more Africans were brought to work as laborers. Africans for many years were similar in legal position to poor English indenturees, who traded several years labor in exchange for passage to America. Africans could legally raise crops and cattle to purchase their freedom. They raised families, marrying other Africans and sometimes intermarrying with Native Americans or English settlers. By the 1640s and 1650s, several African families owned farms around Jamestown and some became wealthy by colonial standards.

The popular conception of a race-based slave system did not fully develop until the 18th century. The first black congregations and churches were organized before 1800 in both northern and southern cities following the Great Awakening. By 1775, Africans made up 20% of the population in the American colonies, which made them the second largest ethnic group after the English. During the 1770s, Africans, both enslaved and free, helped rebellious English colonists secure American Independence by defeating the British in the American Revolution. Africans and Englishmen fought side by side and were fully integrated. James Armistead, an African American, played a large part in making possible the 1781 Yorktown victory, which established the United States as an independent nation. Other prominent African Americans were Prince Whipple and Oliver Cromwell, who are both depicted in the front of the boat in George Washington's famous ''1776 Crossing the Delaware'' portrait.

By 1860, there were 3.5 million enslaved African Americans in the United States due to the Atlantic slave trade, and another 500,000 African Americans lived free across the country. In 1863, during the American Civil War, President Abraham Lincoln signed the Emancipation Proclamation. The proclamation declared that all slaves in states which had seceded from the Union were free. Advancing Union troops enforced the proclamation with Texas being the last state to be emancipated in 1865.

Reconstruction and Jim Crow

[[File:Jesse Owens1.jpg|thumb|right|Jesse Owens shook racial stereotypes both with Nazis and segregationists in the USA at the 1936 Berlin olympics.]] African Americans quickly set up congregations for themselves, as well as schools, community and civic associations, to have space away from white control or oversight. While the post-war reconstruction era was initially a time of progress for African Americans, in the late 1890s, Southern states enacted Jim Crow laws to enforce racial segregation and disenfranchisement. Most African Americans followed the Jim Crow laws, using a mask of compliance to prevent becoming victims of racially motivated violence. To maintain self-esteem and dignity, African Americans such as Anthony Overton and Mary McLeod Bethune continued to build their own schools, churches, banks, social clubs, and other businesses.

In the last decade of the 19th century, racially discriminatory laws and racial violence aimed at African Americans began to mushroom in the United States. These discriminatory acts included racial segregation—upheld by the United States Supreme Court decision in Plessy v. Ferguson in 1896—which was legally mandated by southern states and nationwide at the local level of government, voter suppression or disenfranchisement in the southern states, denial of economic opportunity or resources nationwide, and private acts of violence and mass racial violence aimed at African Americans unhindered or encouraged by government authorities.

Great Migration and Civil Rights Movement

The desperate conditions of African Americans in the South that sparked the Great Migration of the early 20th century, combined with a growing African American community in the Northern United States, led to a movement to fight violence and discrimination against African Americans that, like abolitionism before it, crossed racial lines. The Civil Rights Movement from 1954 to 1968 was directed at abolishing racial discrimination against African Americans, particularly in the Southern United States. The March on Washington for Jobs and Freedom and the conditions which brought it into being are credited with putting pressure on President John F. Kennedy and Lyndon B. Johnson.

Johnson put his support behind passage of the Civil Rights Act of 1964 that banned discrimination in public accommodations, employment, and labor unions, and the Voting Rights Act (1965), which expanded federal authority over states to ensure black political participation through protection of voter registration and elections. By 1966, the emergence of the Black Power movement, which lasted from 1966 to 1975, expanded upon the aims of the Civil Rights Movement to include economic and political self-sufficiency, and freedom from white authority.

Post-Civil Rights era

Politically and economically, blacks have made substantial strides during the post-civil rights era. In 1989, Douglas Wilder became the first African-American elected governor in U.S. history. There is currently one black governor; governor Deval Patrick of Massachusetts. Clarence Thomas became the second African-American Supreme Court Justice.In 1992 Carol Moseley-Braun of Illinois became the first black woman elected to the U.S. Senate. There were 8,936 black officeholders in the United States in 2000, showing a net increase of 7,467 since 1970. In 2001 there were 484 black mayors.

On November 4, 2008, Democratic Senator Barack Obama defeated Republican Senator John McCain to become the first African American to be elected President. At least 95 percent of African-American voters voted for Obama. He also received overwhelming support from young and educated whites, a majority of Asians, Hispanics, and Native Americans picking up a number of new states in the Democratic electoral column. Obama lost the overall white vote, although he won a larger proportion of white votes than any previous nonincumbent Democratic presidential candidate since Jimmy Carter. The following year Michael S. Steele was elected the first African-American chairman of the national Republican Party.

Demographics

In 1790, when the first U.S. Census was taken, Africans (including slaves and free people) numbered about 760,000—about 19.3% of the population. In 1860, at the start of the Civil War, the African American population had increased to 4.4 million, but the percentage rate dropped to 14% of the overall population of the country. The vast majority were slaves, with only 488,000 counted as "freemen". By 1900, the black population had doubled and reached 8.8 million. In 1910, about 90% of African Americans lived in the South, but large numbers began migrating north looking for better job opportunities and living conditions, and to escape Jim Crow laws and racial violence. The Great Migration, as it was called, spanned the 1890s to the 1970s. From 1916 through the 1960s, more than 6 million black people moved north. But in the 1970s and 1980s, that trend reversed, with more African Americans moving south to the Sun Belt than leaving it.

The following table of the African American population in the United States over time shows that the African American population, as a percentage of the total population, declined until 1930 and has been rising since then. {|class="wikitable" style="float:left; font-size:85%;" African Americans in the United States ! Year || Number || % of total population || Slaves || % in slavery |- | 1790 || 757,208 || 19.3% (highest) || 697,681 || 92% |- | 1800 || 1,002,037 || 18.9% || 893,602 || 89% |- | 1810 || 1,377,808 || 19.0% || 1,191,362 || 86% |- | 1820 || 1,771,656 || 18.4% || 1,538,022 || 87% |- | 1830 || 2,328,642 || 18.1% || 2,009,043 || 86% |- | 1840 || 2,873,648 || 16.8% || 2,487,355 || 87% |- | 1850 || 3,638,808 || 15.7% || 3,204,287 || 88% |- | 1860 || 4,441,830 || 14.1% || 3,953,731 || 89% |- | 1870 || 4,880,009 || 12.7% || – || – |- | 1880 || 6,580,793 || 13.1% || – || – |- | 1890 || 7,488,788 || 11.9% || – || – |- | 1900 || 8,833,994 || 11.6% || – || – |- | 1910 || 9,827,763 || 10.7% || – || – |- | 1920 || 10.5 million || 9.9% || – || – |- | 1930 || 11.9 million || 9.7% (lowest) || – || – |- | 1940 || 12.9 million || 9.8% || – || – |- | 1950 || 15.0 million || 10.0% || – || – |- | 1960 || 18.9 million || 10.5% || – || – |- | 1970 || 22.6 million || 11.1% || – || – |- | 1980 || 26.5 million || 11.7% || – || – |- | 1990 || 30.0 million || 12.1% || – || – |- | 2000 || 36.6 million || 12.3% || – || – |- | 2010 || 38.9 million || 12.6% || – || – |- |}

By 1990, the African American population reached about 30 million and represented 12% of the U.S. population, roughly the same proportion as in 1900. In current demographics, according to 2005 U.S. Census figures, some 39.9 million African Americans live in the United States, comprising 13.8% of the total population. The World Factbook gives a 2006 figure of 12.9% Controversy has surrounded the "accurate" population count of African Americans for decades. The NAACP believed it was under counted intentionally to minimize the significance of the black population in order to reduce their political power base.

At the time of the 2000 Census, 54.8% of African Americans lived in the South. In that year, 17.6% of African Americans lived in the Northeast and 18.7% in the Midwest, while only 8.9% lived in the western states. The west does have a sizable black population in certain areas, however. California, the nation's most populous state, has the fifth largest African American population, only behind New York, Texas, Georgia, and Florida. According to the 2000 Census, approximately 2.05% of African Americans identified as Hispanic or Latino in origin, many of whom may be of Brazilian, Puerto Rican, Dominican, Cuban, Haitian, or other Latin American descent. The only self-reported ''ancestral'' groups larger than African Americans are the Irish and Germans. Because many African Americans trace their ancestry to colonial American origins, some simply self-identify as "American".

U.S. cities

Almost 58% of African Americans lived in metropolitan areas in 2000. With over 2 million black residents, New York City had the largest black urban population in the United States in 2000, overall the city has a 28% black population. Chicago has the second largest black population, with almost 1.6 million African Americans in its metropolitan area, representing about 18 percent of the total metropolitan population.

Among cities of 100,000 or more, Detroit, Michigan had the highest percentage of black residents of any U.S. city in 2010, with 82%. Other large cities with African American majorities include New Orleans, Louisiana (60%), Baltimore, Maryland (63%) Atlanta, Georgia (54%), Memphis, Tennessee (61%), and Washington, D.C. (50.7%).

The nation's most affluent county with an African American majority is Prince George's County, Maryland, with a median income of $62,467. Within that county, among the wealthiest communities are Glenn Dale, Maryland and Fort Washington, Maryland. Other affluent predominantly African American counties include Dekalb County in Georgia, and Charles City County in Virginia. Queens County, New York is the only county with a population of 65,000 or more where African Americans have a higher median household income than White Americans.

Religion

The majority of African Americans are Protestant of whom many follow the historically black churches. Black church refers to churches which minister predominantly African American congregations. Black congregations were first established by freed slaves at the end of the 17th century, and later when slavery was abolished more African Americans were allowed to create a unique form of Christianity that was culturally influenced by African spiritual traditions.

According to a 2007 survey, more than half of the African American population are part of the historically black churches. The largest Protestant denomination among African Americans are the Baptists, distributed in four denominations, the largest being the National Baptist Convention and the National Baptist Convention of America. The second largest are the Methodists, the largest sects are the African Methodist Episcopal Church and the African Methodist Episcopal Zion Church. Pentecostals are mainly part of the Church of God in Christ. About 16% of African American Christians are members of white Protestant communions, these denominations (which include the United Church of Christ) mostly have a 2 to 3% African American membership. There are also large numbers of Roman Catholics, constituting 5% of the African American population. Of the total number of Jehovah's Witnesses, 22% are black.

Some African Americans follow Islam. Historically, between 15 to 30% of enslaved Africans brought to the Americas were Muslims, but most of these Africans were converted to Christianity during the era of American slavery. However during the 20th century, some African Americans converted to Islam, mainly through the influence of black nationalist groups that preached with distinctive Islamic practices; these include the Moorish Science Temple of America, though the largest organization was the Nation of Islam, founded during the 1930s, which attracted at least 20,000 people as of 1963, prominent members included activist Malcolm X and boxer Muhammad Ali.

Malcolm X is considered the first person to start the movement among African Americans towards mainstream Islam, after he left the Nation and made the pilgrimage to Mecca. In 1975, Warith Deen Mohammed, the son of Elijah Muhammad who took control of the Nation after his death, guided majority of its members to orthodox Islam. However, few members rejected these changes, in particular Louis Farrakhan, who revived the Nation of Islam in 1978 based on its original teachings.

African American Muslims constitute 20% of the total U.S. Muslim population, the majority are Sunni or orthodox Muslims, some of these identify under the community of W. Deen Mohammed. The Nation of Islam led by Louis Farrakhan has a membership from 20,000—50,000 members.

There are relatively few African American Jews; estimates of their number range from 20,000 to 200,000. Most of these Jews are part of mainstream groups such as the Reform, Conservative, or Orthodox branches of Judaism; although there are significant numbers of people who are part of non-mainstream Jewish groups, largely the Black Hebrew Israelites, whose beliefs include the claim that African Americans are descended from the Biblical Israelites.

Contemporary issues

African Americans have improved their social and economic standing significantly since the Civil Rights Movement and recent decades have witnessed the expansion of a robust, African American middle class across the United States. Unprecedented access to higher education and employment in addition to representation in the highest levels of American government has been gained by African Americans in the post-civil rights era.

Nevertheless, due in part to the legacy of slavery, racism and discrimination, African Americans as a group remain at a pronounced economic, educational and social disadvantage in many areas relative to European Americans. Persistent social, economic and political issues for many African Americans include inadequate health care access and delivery; institutional racism and discrimination in housing, education, policing, criminal justice and employment; crime, poverty and substance abuse.

One of the most serious and long standing issues within African American communities is poverty. Poverty itself is a hardship as it is related to marital stress and dissolution, health problems, low educational attainment, deficits in psychological functioning, and crime. In 2004, 24.7% of African American families lived below the poverty level. In 2007, the average African American income was $33,916, compared with $54,920 for whites.

Politics and social issues

Collectively, African Americans are more involved in the American political process than other minority groups in the United States, indicated by the highest level of voter registration and participation in elections among these groups in 2004. African Americans collectively attain higher levels of education than immigrants to the United States. African Americans also have the highest level of Congressional representation of any minority group in the U.S.

The large majority of African Americans support the Democratic Party. In the 2004 Presidential Election, Democrat John Kerry received 88% of the African American vote compared to 11% for Republican George W. Bush. Although there is an African-American lobby in foreign policy, it has not had the impact that African American organizations have had in domestic policy.

Historically, African Americans were supporters of the Republican Party because it was Republican President Abraham Lincoln who helped in granting freedom to American slaves; at the time, the Republicans and Democrats represented the sectional interests of the North and South, respectively, rather than any specific ideology, and both right and left were represented equally in both parties.

The African American trend of voting for Democrats can be traced back to the 1930s during the Great Depression, when Franklin D. Roosevelt's New Deal program provided economic relief to African Americans; Roosevelt's New Deal coalition turned the Democratic Party into an organization of the working class and their liberal allies, regardless of region. The African American vote became even more solidly Democratic when Democratic presidents John F. Kennedy and Lyndon B. Johnson pushed for civil rights legislation during the 1960s.

After over 50 years, marriage rates for ''all'' Americans began to decline while divorce rates and out-of-wedlock births have climbed. These changes have been greatest among African Americans. After more than 70 years of racial parity black marriage rates began to fall behind whites. Single-parent households have become common, and according to US census figures released in January 2010, only 38 percent of black children live with both their parents. Despite that and heavy Democratic leanings, African Americans favor "traditional American values" about family and marriage.

While 52% of Democrats support same-sex marriage, only 30% of black Democrats do. In 2008, though Democrats overwhelmingly voted (64%) against the California ballot proposition banning gay marriage, blacks overwhelmingly approved (70% in favor) it, more than any other racial group. The high-profile candidacy of Barack Obama is credited with increasing black turnout on the bill which has been seen as the crucial difference in its passing.

Blacks also hold far more conservative opinions on abortion, extramarital sex, and raising children out of wedlock than Democrats as a whole. On financial issues, however, African Americans are very much in line with Democrats, generally supporting a more progressive tax structure to provide more services and reduce injustice and as well as more government spending on social services.

News media and coverage

News media coverage of African American news, concerns or dilemmas is inadequate, some activists and academics contend. Activists also contend that the news media present distorted images of African Americans. To combat this African Americans founded their own television networks. Black Entertainment Television, founded by Robert L. Johnson is a network that targets young African Americans and urban audiences in the United States.

Most programming on the network consists of rap and R&B music videos and urban-oriented movies and series. Additionally, the channel shows syndicated television series, original programs, and some public affairs programs. On Sunday mornings, BET broadcasts a lineup of network-produced Christian programming; other, non-affiliated Christian programs are also shown during the early morning hours daily. BET is now a global network that reaches 85 million viewers in the Caribbean, Canada, and the United Kingdom.

In addition to BET there is Centric, which is a spin-off cable television channel of BET, created originally as BET on Jazz to showcase jazz music-related programming, especially that of black jazz musicians. Programming since has been expanded to include a block of urban programs as well as some R&B, neo soul, and alternative hip hop, with the focus on jazz reduced to low-profile hours.

TV One is another African American-oriented network and a direct competitor to BET. It targets African American adults with a broad range of programming. The network airs original lifestyle and entertainment-oriented shows, movies, fashion and music programming, as well as classic series such as 227, Good Times, Martin, Boston Public and It's Showtime at the Apollo. The network primarily owned by Radio One. Radio One, Inc., founded and controlled by Catherine Hughes, it is one of the nation's largest radio broadcasting companies and the largest African American-owned radio broadcasting company in the United States.

Other African American networks scheduled to launch in 2009 are the Black Television News Channel founded by former Congressman J. C. Watts and Better Black Television founded by Percy Miller. In June 2009, NBC News launched a new website named The Grio in partnership with the production team that created the black documentary film, Meeting David Wilson. It is the first African American video news site which focuses on underrepresented stories in existing national news. The Grio consists of a broad spectrum of original video packages, news articles, and contributor blogs on topics including breaking news, politics, health, business, entertainment and Black History.

Education

By 2000, African Americans had advanced greatly. They still lagged overall in education attainment compared to white or Asian Americans, with 14 percent with four year and 5 percent with advanced degrees, though it was higher than for other minorities. African Americans attend college at about half the rate of whites, but at a greater rate than Americans of Hispanic origin. More African American women attend and complete college than men. Black schools for kindergarten through twelfth grade students were common throughout the U.S., and a pattern towards re-segregation is currently occurring across the country.

Historically black colleges and universities remain today which were originally set up when segregated colleges did not admit African Americans. As late as 1947, about one third of African Americans over 65 were considered to lack the literacy to read and write their own names. By 1969, illiteracy as it had been traditionally defined, had been largely eradicated among younger African Americans.

US Census surveys showed that by 1998, 89 percent of African Americans aged 25 to 29 had completed high school, less than whites or Asians, but more than Hispanics. On many college entrance, standardized tests and grades, African Americans have historically lagged behind whites, but some studies suggest that the achievement gap has been closing. Many policy makers have proposed that this gap can and will be eliminated through policies such as affirmative action, desegregation, and multiculturalism.

In Chicago, Marva Collins, an African American educator, created a low cost private school specifically for the purpose of teaching low-income African American children whom the public school system had labeled as being "learning disabled". One article about Marva Collins' school stated,

Working with students having the worst of backgrounds, those who were working far below grade level, and even those who had been labeled as 'unteachable,' Marva was able to overcome the obstacles. News of third grade students reading at ninth grade level, four-year-olds learning to read in only a few months, outstanding test scores, disappearance of behavioral problems, second-graders studying Shakespeare, and other incredible reports, astounded the public.

During the 2006–2007 school year, Collins' school charged $5,500 for tuition, and parents said that the school did a much better job than the Chicago public school system. Meanwhile, during the 2007–2008 year, Chicago public school officials claimed that their budget of $11,300 per student was not enough.

Economic status

Economically, African Americans have benefited from the advances made during the Civil Rights era, particularly among the educated, but not without the lingering effects of historical marginalization when considered as a whole. The racial disparity in poverty rates has narrowed. The black middle class has grown substantially. In 2000, 47% of African Americans owned their homes. The poverty rate among African Americans has decreased from 26.5% in 1998 to 24.7% in 2004. African Americans are the second largest consumer group in America with a combined buying power of over $892 billion currently and likely over $1.1 trillion by 2012. In 2002 African American owned businesses accounted for 1.2 million of the US's 23 million businesses.

In 2004, African American workers had the second-highest median earnings of American minority groups after Asian Americans, and African Americans had the highest level of male-female income parity of all ethnic groups in the United States. Also, among American minority groups, only Asian Americans were more likely to hold white-collar occupations (management, professional, and related fields), and African Americans were no more or less likely than European Americans to work in the service industry. In 2001, over half of African American households of married couples earned $50,000 or more. Although in the same year African Americans were over-represented among the nation's poor, this was directly related to the disproportionate percentage of African American families headed by single women; such families are collectively poorer, regardless of ethnicity.

By 2006, gender continued to be the primary factor in income level, with the median earnings of African American men more than those black and non-black American women overall and in all educational levels. At the same time, among American men, income disparities were significant; the median income of African American men was approximately 76 cents for every dollar of their European American counterparts, although the gap narrowed somewhat with a rise in educational level.

Overall, the median earnings of African American men were 72 cents for every dollar earned of their Asian American counterparts, and $1.17 for every dollar earned by Hispanic men. On the other hand by 2006, among American women with post-secondary education, African American women have made significant advances; the median income of African American women was more than those of their Asian-, European- and Hispanic American counterparts with at least some college education.

African Americans are still underrepresented in government and employment. In 1999, the median income of African American families was $33,255 compared to $53,356 of European Americans. In times of economic hardship for the nation, African Americans suffer disproportionately from job loss and underemployment, with the black underclass being hardest hit. The phrase "last hired and first fired" is reflected in the Bureau of Labor Statistics unemployment figures. Nationwide, the October 2008 unemployment rate for African Americans was 11.1%, while the nationwide rate was 6.5%.

The income gap between black and white families is also significant. In 2005, employed blacks earned only 65% of the wages of whites, down from 82% in 1975. ''The New York Times'' reported in 2006 that in Queens, New York, the median income among African American families exceeded that of white families, which the newspaper attributed to the growth in the number of two-parent black families. It noted that Queens was the only county with more than 65,000 residents where that was true.

In 1999, the rate of births to unwed African American mothers was estimated by economist Walter E. Williams of George Mason University to be 70%. The poverty rate among single-parent black families was 39.5% in 2005, according to Williams, while it was 9.9% among married-couple black families. Among white families, the comparable rates were 26.4% and 6%.

According to ''Forbes'' magazine's "wealthiest American" lists, a 2000 net worth of $800 million dollars made Oprah Winfrey the richest African American of the 20th century; by contrast, the net worth of the 20th century's richest American, Bill Gates, who is of European descent, briefly hit $100 billion in 1999. In Forbes' 2007 list, Gates' net worth decreased to $59 billion while Winfrey's increased to $2.5 billion, making her the world's richest black person. Winfrey is also the first African American to make Business Week's annual list of America's 50 greatest philanthropists. BET founder Bob Johnson was also listed as a billionaire prior to an expensive divorce and as of 2009, had an estimated net worth of $550 million. Winfrey remains the only African American wealthy enough to rank among the country's 400 richest people. Some black entrepreneurs use their wealth to create new avenues for both African Americans and new opportunities for American business in general. Examples such as Tyler Perry who created new filming studios in Atlanta, Georgia which makes it possible to film movies and television shows outside of California.

Health

African Americans continue to have lower life expectancies on average than whites in the United States. Even when adjusted for age, African Americans are 1.6 times more likely to die from one of the 10 leading causes of death in the United States than European Americans. However, there is evidence that this may be changing: by 2003, sex had replaced race as the primary factor in life expectancy in the United States, with African American females expected to live longer than European American males born in that year.

In the same year, the gap in life expectancy between American whites (78.0) and blacks (72.8) had decreased to 5.2 years, reflecting a long term trend of this phenomenon. By 2004, "the trend toward convergence in mortality figures across the major race groups also continued", with white–black gap in life expectancy dropping to five years. The current life expectancy of African Americans as a group is comparable to those of other groups who live in countries with a high Human Development Index.

At the same time, the life expectancy gap is affected by collectively lower access to quality medical care. With no system of universal health care, access to medical care in the U.S. generally is mediated by income level and employment status. As a result, African Americans, who have a disproportionate occurrence of poverty and unemployment as a group, are more often uninsured than non Hispanic whites or Asians. For a great many African Americans, healthcare delivery is limited, or nonexistent. And when they receive healthcare, they are more likely than others in the general population to receive substandard, even injurious medical care. African Americans have a higher prevalence of some chronic health conditions.

African Americans are twice as likely to have diabetes, than whites, and twice as likely to die from the disease. Obesity affects 37% of men and 51% of women. This and other factors contribute to hypertension, which affects 40% of all adults. African American men are twice as likely to have diabetes induced end-stage kidney disease, and twice as likely to die of it than white men of the same age. African Americans are 1.7 times more likely to have a stroke and 60% more likely to die from it. Two reasons for poorer health are lack of routine preventative medical care, such as mammograms and colonoscopies and lack of the primary care physcian.

While 1 in 6 Americans (16.2 percent) between the ages of 14 and 49 is infected with herpes simplex virus type 2 (HSV-2), the infection rate is more than three times higher among blacks (39.2 percent) than whites (12.3 percent). The most affected group is black women, with a prevalence rate of 48 percent. Dr. Kevin Fenton, director of the CDC's National Center for HIV/AIDS, Viral Hepatitis, STD and TB Prevention stated that "high rates of herpes among African-Americans is most likely contributing to the high rate of HIV in that community. In fact, statistics show that people with herpes are two to three times more likely to get HIV if exposed."

African Americans are the American ethnic group most affected by HIV and AIDS, according to the Centers for Disease Control and Prevention. Black men are six times more likely to have HIV than white men and black women are nearly 18 times more likely to have HIV than white women. A 2004 "CDC analysis of MSM in five cities found that while only 18 percent of the HIV-infected white men were unaware of their infections, 67 percent of the infected black men were unaware."

It has been estimated that "184,991 adult and adolescent HIV infections [were] diagnosed during 2001–2005" (1). More than 51 percent occurred among blacks than any other race. Between the ages of 25–44 years 62 percent were African Americans. Dr. Robert Janssen (2007) states, "We have rates of HIV/AIDS among blacks in some American cities that are as high as in some countries in Africa". The rate for African Americans with HIV/AIDS in Washington, D.C. is 3 percent, based on cases reported. In a New York Times Article, about 50 percent of AIDS-related deaths were African American woman, which accounted for 25 percent of the city's population. In many cases there are a higher proportion of black people being tested than any other racial group. Dr. Janssen goes on by saying "We need to do a better job of encouraging African Americans to test. Studies show that approximately one in five black men between the ages 40 to 49 living in the city is HIV-positive, according to the ''TIMES''. Research indicates that African Americans' sexual behavior is no different than any other racial group. Dr. Janssen says "Racial groups tend to have sex with members of their own racial group.

Crime also plays a significant role in the racial gap in life expectancy. A report from the U.S. Department of Justice states "In 2005, homicide victimization rates for blacks were 6 times higher than the rates for whites" and "94% of black victims were killed by blacks."

Cultural influence in the United States

From their earliest presence in North America, African Americans have contributed literature, art, agricultural skills, foods, clothing styles, music, language, social and technological innovation to American culture. The cultivation and use of many agricultural products in the U.S., such as yams, peanuts, rice, okra, sorghum, grits, watermelon, indigo dyes, and cotton, can be traced to African and African American influences. Notable examples include George Washington Carver, who created 300 products from peanuts, 118 products from sweet potatoes, and 75 from pecans; and George Crum, who invented the potato chip in 1853.

African American music is one of the most pervasive African American cultural influences in the United States today and is among the most dominant in mainstream popular music. Hip hop, R&B, funk, rock and roll, soul, blues, and other contemporary American musical forms originated in black communities and evolved from other black forms of music, including blues, doo-wop, barbershop, ragtime, bluegrass, jazz, and gospel music.

African American-derived musical forms have also influenced and been incorporated into virtually every other popular musical genre in the world, including country and techno. African American genres are the most important ethnic vernacular tradition in America, as they have developed independent of African traditions from which they arise more so than any other immigrant groups, including Europeans; make up the broadest and longest lasting range of styles in America; and have, historically, been more influential, interculturally, geographically, and economically, than other American vernacular traditions.

African Americans have also had an important role in American dance. Bill T. Jones, a prominent modern choreographer and dancer, has included historical African American themes in his work, particularly in the piece "Last Supper at Uncle Tom's Cabin/The Promised Land". Likewise, Alvin Ailey's artistic work, including his "Revelations" based on his experience growing up as an African American in the South during the 1930s, has had a significant influence on modern dance. Another form of dance, Stepping, is an African American tradition whose performance and competition has been formalized through the traditionally black fraternities and sororities at universities.

Many African American authors have written stories, poems, and essays influenced by their experiences as African Americans. African-American literature is a major genre in American literature. Famous examples include Langston Hughes, James Baldwin, Richard Wright, Zora Neale Hurston, Ralph Ellison, Nobel Prize winner Toni Morrison, and Maya Angelou.

African American inventors have created many widely used devices in the world and have contributed to international innovation. Norbert Rillieux created the technique for converting sugar cane juice into white sugar crystals. Moreover, Rillieux left Louisiana in 1854 and went to France, where he spent ten years working with the Champollions deciphering Egyptian hieroglyphics from the Rosetta Stone. Most slave inventors were nameless, such as the slave owned by the Confederate President Jefferson Davis who designed the ship propeller used by the Confederate navy.

By 1913 over 1,000 inventions were patented by black Americans. Among the most notable inventors were Jan Matzeliger, who developed the first machine to mass-produce shoes, and Elijah McCoy, who invented automatic lubrication devices for steam engines. Granville Woods had 35 patents to improve electric railway systems, including the first system to allow moving trains to communicate. Garrett A. Morgan developed the first automatic traffic signal and gas mask.

Lewis Howard Latimer invented an improvement for the incandescent light bulb. More recent inventors include Frederick McKinley Jones, who invented the movable refrigeration unit for food transport in trucks and trains. Lloyd Quarterman worked with six other black scientists on the creation of the atomic bomb (code named the Manhattan Project.) Quarterman also helped develop the first nuclear reactor, which was used in the atomically powered submarine called the Nautilus.

A few other notable examples include the first successful open heart surgery, performed by Dr. Daniel Hale Williams, and the air conditioner, patented by Frederick McKinley Jones. Dr. Mark Dean holds three of the original nine patents on the computer on which all PCs are based. More current contributors include Otis Boykin, whose inventions included several novel methods for manufacturing electrical components that found use in applications such as guided missile systems and computers, and Colonel Frederick Gregory, who was not only the first black astronaut pilot but the person who redesigned the cockpits for the last three space shuttles. Gregory was also on the team that pioneered the microwave instrumentation landing system.

Political legacy

African Americans have fought in every war in the history of the United States.

The gains made by African Americans in the Civil Rights and Black Power movements not only obtained certain rights for African Americans, but changed American society in far-reaching and fundamentally important ways. Prior to the 1950s, Black Americans in the South were subject to de jure discrimination, or Jim Crow. They would often be the victims of extreme cruelty and violence, sometimes resulting in deaths: by the post WWII era, African Americans became increasingly discontented with their long-standing inequality. In the words of Martin Luther King, Jr., African Americans and their supporters challenged the nation to "rise up and live out the true meaning of its creed that all men are created equal ..."

The Civil Rights Movement marked a sea-change in American social, political, economic and civic life. It brought with it boycotts, sit-ins, demonstrations, court battles, bombings and other violence; prompted worldwide media coverage and intense public debate; forged enduring civic, economic and religious alliances; and disrupted and realigned the nation's two major political parties.

Over time, it has changed in fundamental ways the manner in which blacks and whites interact with and relate to one another. The movement resulted in the removal of codified, ''de jure'' racial segregation and discrimination from American life and law, and heavily influenced other groups and movements in struggles for civil rights and social equality within American society, including the Free Speech Movement, the disabled, women, Native Americans, and migrant workers.

The term "African American"

Political overtones

The term African American carries important political overtones. Earlier terms used to identify Americans of African ancestry were conferred upon the group by colonists and Americans of European ancestry. The terms were included in the wording of various laws and legal decisions which some thought were being used as tools of white supremacy and oppression. There developed among blacks in America a growing desire for a term of self-identification of their own choosing.

With the political consciousness that emerged from the political and social ferment of the late 1960s and early 1970s, blacks no longer approved of the term Negro. They believed it had suggestions of a moderate, accommodationist, even "Uncle Tom" connotation. In this period, a growing number of blacks in the United States, particularly African American youth, celebrated their blackness and their historical and cultural ties with the African continent. The Black Power movement defiantly embraced ''Black'' as a group identifier. It was a term social leaders themselves had repudiated only two decades earlier, but they proclaimed, "Black is beautiful".

In this same period, a smaller number of people favored ''Afro-American'', a common shortening (as is 'Anglo-American'). However, after the decline in popularity of the 'Afro' hairstyle in the late 1970s, the term fell out of use.

In the 1980s the term ''African American'' was advanced on the model of, for example, German-American or Irish-American to give descendents of American slaves and other American blacks who lived through the slavery-era a heritage and a cultural base. The term was popularized in black communities around the country via word of mouth and ultimately received mainstream use after Jesse Jackson publicly used the term in front of a national audience. Subsequently, major media outlets adopted its use.

Many blacks in America expressed a preference for the term, as it was formed in the same way as names for others of the many ethnic groups in the nation. Some argued further that, because of the historical circumstances surrounding the capture, enslavement and systematic attempts to de-Africanize blacks in the United States under chattel slavery, most African Americans are unable to trace their ancestry to a specific African nation; hence, the entire continent serves as a geographic marker.

For many, African American is more than a name expressive of cultural and historical roots. The term expresses pride in Africa and a sense of kinship and solidarity with others of the African diaspora—an embrace of pan-Africanism as earlier enunciated by prominent African thinkers such as Marcus Garvey, W. E. B. Du Bois and George Padmore.

Who is African American?

Since 1977, in an attempt to keep up with changing social opinion, the United States government officially classified black people (revised to ''black'' or ''African American'' in 1997) as "having origins in any of the black racial groups of Africa." Other federal offices, such as the United States Census Bureau, adhere to the OMB standards on race in its data collection and tabulations efforts. In preparation for the United States 2010 Census, a marketing and outreach plan, called ''2010 Census Integrated Communications Campaign Plan'' (ICC) recognized and defined African Americans as black people born in the United States. From the ICC perspective, African Americans are one of three groups of black people in the United States

The ICC plan was to reach the three groups by acknowledging that each group has its own sense of community that is based on geography and ethnicity. The best way to market the census process toward any of the three groups is to reach them through their own unique communication channels and not treat the entire black population of the U.S. as though they are all African Americans with a single ethnic and geographical background. The U.S. Department of Justice Federal Bureau of Investigation categorizes black or African American people as "A person having origins in any of the black racial groups of Africa" through racial categories used in the UCR Program adopted from the Statistical Policy Handbook (1978) and published by the Office of Federal Statistical Policy and Standards, U.S. Department of Commerce, derived from the 1977 OMB classification.

The African-American experience

Some black scholars have argued that the term "African-American" should refer strictly to the descendents of West or Central African slaves and free people of color who survived the slavery-era, and not the sons and daughters of black immigrants who lack that ancestry. The argument being that grouping all blacks together regardless of their unique ancestral circumstances would inevitably deny the lingering effects of slavery with in the American slave descendent community, in addition to denying black immigrants recognition of their own unique ancestral backgrounds.

In the book ''The End of Blackness'' published by author Debra Dickerson, she warned against drawing favorable cultural implications from upwardly mobile black immigrants who are not the sons and daughters of American slavery and racial segregation. She used the political rise of President Barack Obama, who is the son of a Kenyan immigrant, a result of "Lumping us all together," Dickerson claimed it, "erases the significance of slavery and continuing racism while giving the appearance of progress." On the liberal website Salon Dickerson wrote, "African-American", in our political and social vocabulary, means those descended from West African slaves". Similar statements have been echoed by Stanley Crouch in a New York Daily News piece, Charles Kenzie Steele, Jr. of the Southern Christian Leadership Conference and African-American columnist David Ehrenstein of the LA Times who accused white liberals of flocking to blacks who were "Magic Negros", a term that refers to a black person with no past who simply appears to assist the mainstream white (as cultural protagonists/drivers) agenda. Ehrenstein went on to say "He's there to assuage white 'guilt' they feel over the role of slavery and racial segregation in American history." said "descendants of slaves did not get much of a head start, and I think you continue to see some of the effects of that." She has also rejected an immigrant designation for African-Americans and instead prefers the term "black" or "white" to denote the African and European U.S. founding populations.

Terms no longer in common use

The terms mulatto and colored were widely used until the second quarter of the 20th century, when they were considered outmoded and generally gave way to the use of ''negro''. By the 1940s, the term commonly was capitalized, but by the mid 1960s, it had acquired negative connotations, though the term ''mulatto'' is still in use in many parts of Latin America and is not considered offensive there. Today, in the culture of the United States, the term is considered inappropriate and is now rarely used and perceived as a pejorative.

The term Negro is largely out of use among the younger black generation, but is still used by a substantial block of older black Americans, particularly in the southern U.S. In Latin America, ''negro'', which translates as ''black'' is the term generally used to refer and describe black people and, similarly to ''mulatto'', it is not considered offensive at all in these regions. However, it is pronounced differently, with the ''e'' being closer to the sound in the English word egg.

See also

Affirmative action

African-American art

African-American history

African-American literature

African-American music

African American Muslims

African American National Biography Project

African American Vernacular English

African American Women, 1960's

American Black Upper Class

American Civil War

Black church

Black feminism

Black Loyalist

Black nationalism

Military history of African Americans

Slavery in the United States

Diaspora:

African Americans in France

African diaspora

African immigrants to the United States

Afro-Latin American

American Black Indians

Americans of Igbo ancestry

Americo-Liberian

Black Hispanic and Latino Americans

Black Nova Scotians

Black people

Foreign-born Afro Americans

Sierra Leone Creole people

Lists:

Lists of African Americans

List of African-American-related topics

List of topics related to Black and African people

Terminology: Colored, Creole peoples, Negro, Nigger, Nigga

Notes

References

Further reading

Jack Salzman, ed., ''Encyclopedia of Afro-American culture and history'', New York, New York : Macmillan Library Reference USA, 1996.

''African American Lives'', edited by Henry L. Gates, Evelyn Brooks Higginbotham, Oxford University Press, 2004—more than 600 biographies.

''From Slavery to Freedom. A History of African Americans'', by John Hope Franklin, Alfred Moss, McGraw-Hill Education 2001, standard work, first edition in 1947.

''Black Women in America: An Historical Encyclopedia'', Darlene Clark Hine (Editor), Rosalyn Terborg-Penn (Editor), Elsa Barkley Brown (Editor), Paperback Edition, Indiana University Press 2005.

External links

Richard Thompson Ford Name Games, ''Slate'', September 16, 2004. Article discussing the problems of defining ''African American''

"Of Arms & the Law: Don Kates on Afro-American Homicide Rates"

''Scientific American'' Magazine (June 2006) Trace Elements Reconnecting African-Americans to an ancestral past

"The Definition of Political Absurdity", ''San Francisco Chronicle'', March 2, 2007

African American archaeology in Sacramento, California pdf

African American archaeology in Oakland, California —See Part III, Chap 10

Black History related original documents and photos

President Obama's Speech to the NAACP on July 16, 2009—full video by ''MSNBC''

Black or African American?, Frank Newport. Gallup, September 28, 2007

The Long Journey of Black Americans - slideshow by ''The First Post''

Category:African American history Category:Ethnic groups in the United States Category:History of civil rights in the United States Category:Peoples of the African diaspora

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